5718 in-depth character profiles from comics, games, movies

Creeper (Paris 1925) (DC Comics)


(1925 version)

Power Level:
Game system: DC Heroes Role-Playing Game
  • This series seems set in the DC Universe, with the clearest clue being the Zatara cameo.
  • This entry, even without narrating the story, has significant S P O I L E R S about this nice series.


  • Real Name: Madeline Benoir
  • Other Aliases: The character is referred to as “the Creeper” in the story, but it is unclear whether the name is in English or translated from the French. A possible French name if you prefer to use one could be la Fugace.
  • Marital Status: Quite single
  • Known Relatives: Judith Benoir (twin sister, deceased), unnamed parents (deceased)
  • Group Affiliation: None (one-time icon of the Surrealist movement)
  • Base Of Operations: Paris (1925) – presumably in the Montparnasse/Jardin du Luxembourg area.
  • Height: 5’5” Weight: 110 lbs
  • Eyes: Blue Hair: Brown

Powers and Abilities

The Creeper hasn’t displayed remarkable strength or combat skills — but she is fast and agile, and capable of decent rooftop acrobatics.

She’s also mentally resourceful, at least for a less-than-cinematic heroine, and repeatedly pulled off daring plans – some requiring some minor technical knowledge of drugs or explosives. Her Initiative is very high for her Genre, and thus a significant asset in evading pursuers.

The Creeper did have a huge impact on the Parisian scene for a few months. Though it is largely tied to her actions and the peculiar ambiance of the times, a lot point toward the Creeper having an extraordinary, maniacal presence.


Madeline and Judith Benoir were identical-looking twin sisters, living in 1920s Paris – a place and time where many of the major pages of XXth century art were written, and in particular Surrealism. Judith was a painter and demimondaine and Madeline a playwright and occasional fashion artist, selling one-of-a-kind designer dresses to pay the rent.

Though Madeline was more of an introvert, Judith was a party animal and had a scandalous and very active romantic and sexual life across the Parisian scene.

Judith had recurrent dreams of demons, and in particular a sort of yellow-skinned, red-haired harlequin she called the Creeper. Several of her paintings starred the Creeper, and one was even hung on the wall of famous Parisian café La Rotonde, to pay for her bar tab.

She also had the misfortune of attracting the attention of the surly Mathieu Arbogast, a scion of the extremely rich and influential Arbogast family, who had severe mental health issues.

The Creeper intimidating Parisian notables

During the second half of 1925, the Creeper physically appeared in Paris, a shocking goblin waging a mostly non-violent war against conformity and society, and often humiliating the Arbogast family. The absurd, shocking, free-spirited deeds of the Creeper caught the attention of non-conformists throughout Paris, and in particular André Breton and the Surrealists.

Soon, the Creeper was all the rage, with artists sticking fanciful Creeper posters all over Paris (often with a somewhat fauvist or expressionist style, and the slogan “Prenez garde au Creeper !”), fans with the Creeper’s name stencilled across the forehead, woman who had their hair died Creeper-red, costumed parties inspired by the Creeper’s costume, etc.

Even the great Josephine Baker was seen performing in an outfit inspired by the Creeper and practically identical to the costume Jack Ryder would wear as the Creeper 43 years later.

Like some artists of her time, the Creeper reviled the landmark 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Industrial and Decorative Arts) and made a spectacular appearance there, crashing the train leading to it and torching the huge art deco statue at the front.

However, a child was accidentally killed in the attack. This broke the Creeper’s popularity, and Breton excommunicated her from the Surrealists, though the Creeper had until then been their idol.

History recorded that the Creeper, Mathieu Arbogast, died the 22nd of October, 1925, after jumping from the Eiffel Tower to avoid being arrested.


See illustration.


An activist, representing the working class, bohemian and artistic sides of Paris, with a distinct surrealist slant (itself inherited from the dadaists). Her art is non-lethal terrorism as a happening, striking against the grande bourgeoisie and deftly avoiding the cops. She is in many ways a feminine, much less bloodthirsty version of another surrealist icon — Fantômas.

Unhinged and with an obvious taste for the dramatic, the Creeper works on the mise en scène, symbolism and aesthetics of her ’performances’. She even has a theme colour (“Creeper red”), using paint of this colour to paint slogans across Paris and vandalise things symbolising the rich, conformity and order.

Another signature is her insane laugh, which she will happily use to punctuate her deeds. The Creeper can laugh or deliver her lines with incredible loudness for a petite, slim woman.

Though she has no problem inflicting some pain, bruises and discomfort, and wrecking properties she finds devoid of artistic merit, the Creeper does not wish to kill or seriously hurt anyone. The accidental death at the Expo wrecked her morale, especially as she personally knew the child who was caught in the accidental explosion.

As Madeline, she is a reserved perso, and tends to downplay the qualities of the plays she wrote and her own talent. She could be a bit gloomy and thought about death often since the death of her parents – apparently during an artillery strike on Notre Dame during the war.

Unlike Judith she continues to go to church. Madeline is a practical and driven woman – she seems a bit like a wallflower, but this is purely due to the contrast with Judith. Madeline is in love with a police detective named Inspecteur Allain, but his heart belongs to Judith.

The Creeper is filled with maniacal energy and creativity, owning the Parisian nights with her strange deeds and her cultural impact. So… Beware the Creeper !


Prenez garde !” (Beware !)

“ ’The Future Of Art‘ ? Ha ! *I* am the future of art… and your art has no future ! Hahahahhahahahahahahahahaha !”

“Citizens of Paris ! You think this pitiful drivel on display around you is art ? There is no art… only the Creeper ! Hahahahaahahaah !”

“Since the irony of this pathetic celebration is lost on the lot of you, the new monarchy of the rich, celebrating the downfall of the Ancien Régime kings and queens… I thought it fitting that you experience first-hand how ill you have made Paris. You are the sickness — for which there is only one cure… BEWARE THE CREEPER !”


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Game Stats — DC Heroes RPG Print Friendly

Tell me more about the game stats

La Fugace

Dex: 03 Str: 02 Bod: 02 Motivation : Artist/Justice
Int: 04 Wil: 04 Min: 04 Occupation : Creative type
Inf: 06 Aur: 03 Spi: 04 Resources {or Wealth} : 003
Init: 015 HP: 015

Running: 04

Bonuses and Limitations:
Running is a Skilled Power

Acrobatics: 05, Artist (Actress, Writer, Tailor): 04, Military science (Demolition): 02, Thief (Stealth): 04

Area Knowledge (Paris), Familiarity (Artistic scene of the 1920s), Iron Nerves, Language (French – she also seems to speak English), Lightning Reflexes, Misc.: Madeline and Judith are physically identical.

Street (Low)

None demonstrated

By Sébastien Andrivet

Source of Character: Beware the Creeper (2003 Vertigo Limited Series by Jason Hall and Cliff Chiang)

Helper(s): Darci

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